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Selected Works
2025CyclesComposition & Performance
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2025Ash HadComposition
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2026Sluch DiariesComposition
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2025NewAnimals, 2025Composition & Live Sound
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2026A Mouthful of Stones WIPComposition & Live Sound
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2024ChokeEP
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2024Heavy is The NightLive Performance
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2024–ongoingWhispered DreamsComposition & Live Performance
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2023Oh, Wild Gazelle, Where Are You?Composition & Live Performance
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About
Amirhossein Sadeghzadeh (Tehran, 2000) is a composer, sound artist and instrument maker based in Amsterdam. He studied classical clarinet at Tehran University of Art, performing as bass clarinettist with the Symphony Orchestra and National Orchestra of Iran.
After moving to the Netherlands, he focused on electronic music, completing an associate degree at the Conservatorium van Amsterdam. He graduated with a live performance at Melkweg together with Yobi Tsugi, and released his debut EP in 2024.
He then began a bachelor's in Composition at CvA, where his interest shifted toward self-built instruments and DIY electronics. He built open-source instruments from Monome and constructed his own electromagnetic microphone. Through his composition studies he received two external commissions — from Holland Festival for the Sound Diaries project, and from Fokko Oldenhuis for Neon Choir's organ project, resulting in Cycles, performed at Orgel Park.
Alongside this he began developing his own multidisciplinary work, starting with Birds — an audiovisual performance with Sepehr Faraji, percussion player. His work extends into cross-disciplinary collaborations including Fariborz Karimi's Whispered Dreams (on tour), NewAnimals 2025 with Choupan Atashi, a sold-out double bill at Plein Theater, and a score for a short film nominated at the Locarno Film Festival. He organises events in Amsterdam's underground scene including Quantum at OT301.
He is currently developing a body of work around sound sculpture — pursuing the idea that composition begins with the making of the object itself. This research forms the basis of his graduation project at CvA.
Based in
Amsterdam, NL
Available for
Commissions, collaborations
Cycles is a meditation on the human condition, born from a personal feeling of being overwhelmed by life's chaos. It reflects on a central paradox: as humans, we are inseparable from the continuous, natural cycles of our surroundings, yet we constantly find ourselves struggling with anxieties we make unnecessarily complex.
Scored for organ and choir in quarter-comma meantone tuning, with improvised live electronics, the piece unfolds through three layers:
The lyrics are a poem deconstructed into individual words and assigned by category. Sopranos: Sensory & Elemental (Sun, Sky, Dust). Altos: Emotional & Internal (Heart, Consent, Struggle). Tenors: Vitality & Creation (Grow, Bloom, Start). Basses: Chaos & Deconstruction (Noise, War, Thought). Each voice moves in a fixed, independent rhythm, gradually drifting out of sync — until all four converge on a single shared word. An image of how, beneath all the noise and chaos, there is still an underlying order.
Quarter-comma meantone provides both pure, stable intervals and tense, impure ones — mirroring the tension between a natural state and human complexity.
The live electronics — improvised on the Landscape.fm NooN passive synth — are not composed but felt in the moment. They act as a personal metaphor: the constant attempt to tune oneself to the surrounding environment, to find where one fits in.
Commissioned by Fokko Oldenhuis for Neon Choir. Recorded live at Orgelpark, Amsterdam.
Whispered Dreams is a performance by Fariborz Karimi exploring friendship and self-censorship across distance — between Amsterdam and Tehran. The work unfolds through a remote collaboration with writer and actress Mona Ahmadi, questioning how intimacy and censorship translate into physical space.
The composition is built entirely around the clarinet — moving from live playing into digitally mangled recordings of the same instrument. Multiple scripts running simultaneously on a Monome Norns device drive the entire composition live, making each performance a unique real-time interpretation.
Support
Co-production Theater Rotterdam Productiehuis. Supported by 0090 Platform, Amsterdam Fonds voor de Kunst, Het CultuurFonds. Residencies at wpZimmer Antwerp, HELLERAU Dresden, CAMPO Ghent, Het Nationaal Theater The Hague, Theater Rotterdam.
Performances
Premiere — Frascati, Amsterdam (Feb 2026)
Theater Rotterdam (Feb 2026)
PILAR / Kaai Theater, Brussels (Mar 2026)
Cement Festival, Den Bosch (Mar 2026)
Zaal3, HNT, The Hague (Mar 2026)
Beyond The Black Box Festival, Monty, Antwerp (May 2026)
International Forest Festival, NTNG Thessaloniki (May 2026)
BUDA, Kortrijk (Sep 2026)
Grand Theater, Groningen (Nov 2026)
Birds began with field recordings of Amsterdam's feral green parrots — more than 5,000 gathering at dusk in Oosterpark, converging each evening on a single tree in a daily ritual. The piece transforms these recordings into a hypnotic sonic landscape, while tombak player Sepehr Faraji plays alongside.
The concept is rooted in the parallel between the parrots' forced adaptation and human immigration. The parrots — birds that had to migrate, find a new habitat, and adapt to human-altered environments — become a mirror for the experience of displacement, defamiliarization, and dehumanization.
The performance is structured around a turning point: in the first half, Sepehr plays traditional Iranian tombak. Then, suddenly, a rupture — forced immigration — and the sound of the instrument changes. The player must relearn and rediscover the tombak in this new environment. The visuals react to the instrument throughout, shifting with the music in real time.
Currently ~10 minutes. A collaboration with Birds Eye Institute.
Work in progress.
A self-built electromagnetic microphone based on the open-source Elektrosluch design by LOM Instruments. Built entirely from scratch — soldering components, wiring the circuit board, assembling the housing. The microphone picks up electromagnetic fields emitted by motors, cables, circuits and electronic devices, capturing sounds inaudible to the human ear.
Used as the primary recording tool for Sluch Diaries, commissioned by Holland Festival.
Video
A DIY build of the Monome Norns Shield — an open-source, hackable sound computer running on Raspberry Pi. Assembled from parts, soldered, and configured from scratch. Paired with a DIY NeoTrellis Grid, a 16×8 button controller that communicates with Norns via USB.
Used live to run multiple custom Lua scripts simultaneously, forming the compositional and performance backbone of Whispered Dreams. The device allows the entire composition to be driven and improvised in real time during performance.
Links
GitHub Repository ↗Videos
A performance by Fariborz Karimi exploring exoticization, censorship, imagination and friendship through a remote collaboration with Negar, a choreographer based in Iran who choreographs the space without being physically present. Her absence — due to political limitations on dance in Iran — is central to the work's concept.
Nominated for the AHK Graduation Awards 2023.
Full details ↗NewAnimals, 2025 is an immersive hour-long performance developed in collaboration with visual artist and choreographer Chupan Atashi, activating her sculptural installation Daddy Party. Performers enact physical processes of composting and de-composing through embodied gestures — licking, breath, foam, feathers, chains and shiny materials — highlighting the ongoing processes of living, growing, dying and decaying.
The composition consists of gathered field recordings and found sounds, manipulated and processed heavily into a dense, textural sonic environment. Performed live throughout the piece, the sound both activates the sculptures and responds to the performers' movements in real time.
Credits
Concept, choreography & score: Chupan Atashi
Performance: Saman Mahdavi, YuJing Liu, Yadin, Meli
Live Sound: Sonic Nomad
Outfit: AVOIDSTREET
Photos: Lila Rodrigues
A Mouthful of Stones is a work in progress by Laura Boser. How can a dancing body move through a brutal and genocidal world? What if inner torment outgrows the body, letting the monstrous inside us take over? What erupts from the mouth when you are unable to speak?
In a dream-like way, the work lingers with questions of how a body absorbs and carries the pain of an exhausted earth. What cannot be spoken spills out through breath and trembling flesh. Repetitive movement, wearable sculptures, and live sound fold into one another, forming a shifting choreography between body and material. Dark fabrics constantly transform into different creatures, landscapes, and hybrid organisms, slipping between human and more-than-human states.
The composition begins with live loop snippets recorded by performer Laura Boser using a looper, which are then processed and developed in real time into a dense sonic landscape — shifting constantly between different colors and textures, moving with the body and material on stage.
Credits
Concept & Performance: Laura Boser
Sound: Sonic Nomad & Laura Boser
Costume: Lou Jelena Seidel & Laura Boser
Photos & Teaser: Gergely Ofner
Graphic Design: Frederique Gagnon
With support of Sky Studio Amsterdam, DansLab Noord & Amsterdam Fonds voor de Kunst
Performance
Double Bill: BUST & A Mouthful of Stones — Plein Theater, Amsterdam (9 May 2025, sold out)
Watch
Quantum: let the waves of the unknown drown your reality — the debut event of HiveMind, an Amsterdam-based collective focused on building community through experimental dance music and sonic storytelling. The night featured electro, breaks, acid, techno and DnB, running from 22:00 to 03:00 at OT301.
Amirhossein performed as part of Mirovian Drift, his live electronic duo with Yobi Tsugi.
Line-up
Age of Aconitum · Douglas Calii · Drone 292 · Mirovian Drift
A recreation of a sound from childhood — one that carries deep emotional memory. Ash Had takes Rahim Moazzenzadeh's Azan as its source: a structural deconstruction and reconstruction of the original vocal performance, broken down to its core elements and reassembled into a new sonic arrangement.
The work explores what remains when a deeply familiar sound is stripped of its context — and what new meaning emerges in its reconstruction.
A composition made entirely from recordings captured with a self-built electromagnetic microphone. All source material is recorded electrical and electromagnetic sound — motors, circuits, cables, transformers — gathered and catalogued before any compositional decisions were made.
The sounds were first organised by their tonal qualities, then structured into sections: harmonic passages built from resonant tones, dense noise textures, a bass-heavy section, and finally a rhythmic, chopped part where the recorded material is cut into repeating patterns. The approach is inspired by Oval's technique of using snippets of found CDs to construct rhythm and texture from non-musical sources.
Commissioned by Holland Festival for the Sound Diaries project.
Choke is the debut EP by Sonic Nomad, released June 2024. A four-track work blending electronic and acoustic elements, exploring texture, space and decay.
Tracklist
1. Distant Clarinets
2. Choke
3. Where is the Sound — with Yobi Tsugi
4. Bury Thy Self — feat. Sepehr Faraji, tombak
Graduation show for the AEMA programme at the Conservatorium van Amsterdam, presented at Melkweg. Sonic Nomad performed live electronics alongside Yobi Tsugi, each presenting their own EP — two separate sets of live electronic music on the same night.
Watch